"In the modest storefront venue, new tondo paintings in customized frames are layered on top of and alongside wall stickers printed with stills from films like “Women On the Verge of a Nervous Breakdown.” One wall is covered in printed-vinyl images: a photograph of a restaurant window that White herself took in Madrid; covers of an influential cultural magazine published in the city during the mid-’80s; fliers for a now-defunct music club, Rock Ola; an appropriated image of a 1979 work by Okua Leele, a sort of self-portrait with a mane of lemons."